Back when my readerly tastes were driven by the limited options at my suburb's small, strip mall-located library, I rarely chose my books by their covers. Most of the library books sported dogeared, aggressively stickered covers anyway, so my appreciation for a cover's import remained stunted. It wasn't until I arrived at college and received a syllabus that included Jean Rhys's Wide Sargasso Sea that a book cover swept me up in a passionate embrace. I had read Wide Sargasso Sea before (an excellent companion to Jane Eyre), but my copy was library-bound and looked like this: The copy I purchased at the university bookstore looked...different: The newer cover doesn't say "post-colonial prequel" so much as "hot, sexy movie tie-ins!" And it certainly captured my attention. How did my first reading miss all that under-the-waterfall lovemaking?
While the wet, white-hot muscly embrace bears a mostly fantasy-based relationship to the book, the cover makes a potent play for reader's eyeballs. This is the point of all book covers...although some achieve their aims more thoughtfully and cleverly than others. But what makes for a thoughtful, clever book cover? One that captures readers with style that is inspired by and germane to the story between the covers? There's a lot to consider—we'll cover some of it in a coming post. Comments are closed.
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![]() Jessica Knight
English PhD, former arts administrator, obsessive cook, native East Coaster, mom to two rabblerousers. Molly Gage
English PhD, former high school teacher, obsessive organizer, native Midwesterner, mom to three troublemakers. Archives
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