This post it not a how-to. No primer, no matter how comprehensive, can teach the know-it-when-you-see-it quality that catapults an everyday shelf-piece into the realm of book art.
The Peter Mendelsund-designed Ulysses (as well as Dubliners and Portrait of the Artist as a Young Man), provides a startlingly effective illustration. Here is style and savvy in spades. But here, too, is the kind of entrainment between writer, reader, and designer that channels a book's essence.
In The Wave and the Mind, Ursula Le Guin describes entrainment as the tendency for two wall-mounted clock pendulums to slowly swing in sync. Physicists call this "mutual phase-locking"; Le Guin describes it as the "beautiful economical laziness" by which successful relationships are formed.
It's all a little spectral, but this (2013) Ulysses cover illustrates the certain quiescence by which a design imparts the spirit of a story. What looks like boldly scribbled marginalia interrupts but also completes the title with the "yes" acknowledging the book's last—and now first—word and its (arguably) most famous line: "yes I said yes I will Yes."
While this isn't a how-to, it does offer an injunction: When approaching book cover design, find inspiration in books that illustrate style, savvy, and this kind of economical soul. Then, aim that high.
English PhD, former arts administrator, obsessive cook, native East Coaster, mom to two rabblerousers.
English PhD, former high school teacher, obsessive organizer, native Midwesterner, mom to three troublemakers.