Because developmental editing is a type of creative work, editors often take an idiosyncratic approach to their projects. But because developmental editing is also a type of project management, editors often take a systematic and regimented approach. Creative and systemic come together for me by way of that intimate but structured conversation.
Intimacy may be a strange word to use in reference to an argument-driven manuscript, but most authors are well aware that writing requires a teeth-gnashing, garment-rending, hair-tearing effort. Good writing, even if it doesn’t inspire such self-inflicted figurative violence, depends on attention, care, and time. It therefore represents and reflects fundamental truths, maybe about the world at large, but most definitely about the world within the writer, and the world within their work.
A developmental editor extends the writer’s attention, care, and time—but also stages an intervention. This is necessary because intimacy, while it brings us closer and more deeply into our work, narrows our field of vision. To make use of its potential value, we must adopt the meta-perspective that enables us to see both the benefits and the drawbacks of closeness.
Helping writers acquire this perspective is the developmental editor’s job. We insert ourselves into an extant intimate conversation, using tools to structure the intimacy and make it more meaningful.